Since J.J. Abrams is suddenly so concerned with coming across as sexist in Star Trek, and seems convinced sexism can be solved with what (he believes to be) equal-opportunity objectification, I’d like to offer a few suggestions as to some other changes he could’ve made to STID to even things out a little.
- Every replicator on the ship begins to produce uniform shirts two sizes too small. The dress-style uniforms remain unchanged.
- Every unnecessary railing on the bridge is removed and replaced by comfy chairs with cupholders from which members of the crew may sit and witness the magnificence of their Captain’s ass in action whenever they please.
- Carol Marcus ends that scene by phasering Kirk directly in the balls, and breaks the fourth wall when she stares the camera down and says “ARE YOU FUCKING KIDDING ME WITH THIS SHIT.”
- Additionally, she begins her own five year mission of discovery re: just how legendary Dr. McCoy’s hands are. The audience is invited.
- In fact, Dr. McCoy just spends the entire movie shirtless. No explanation is given, as none is needed.
- Uhura is carried everywhere on a golden litter by four Engineering ensigns, with a fifth following up in the rear carrying a boombox playing Beyoncé on a constant loop.
- (the fifth guy is totally Spock)
Additions are welcomed and gratefully accepted.
if he believes in the friend zone then you should put him in it
mermaids don’t have thigh gaps but they can still lure men to their deaths
John Cho (x)
yo my heart is racing at the guts it takes to say something like this knowing full well what could happen. damn!!!!
(via strugglingtobeheard)
partybarackisinthehousetonight:
pro tip: fill the piñata with absolutely nothing to prepare your kids for the letdowns of adulthood
This is a Holmes knocked from the pedestal of the dispassionate gentleman detective. His relationship with his addiction forms the core of his character, of secondary importance only to Watson in his development throughout the season. And Jonny Lee Miller’s fantastic incarnation of Holmes makes sure we feel the weight of addiction in a show that takes it seriously. He suffers the aftermath, and must face the realities of recovery — no easy thing for a man who trades on the illusion of invincibility with all the gusto of the Conan Doyle original.
Also keeping him humble: his supporting cast. There’s a popular misconception — the fault of many an adaptation — that Holmes is a supergenius accompanied by an admiring everyman and surrounded by dunces. Conan Doyle’s Watson and Gregson would beg to differ, and so this Holmes lives in no such vacuum; he’s never the only clever person in a room. When he reveals his addiction, Gregson (not unkindly) points out that as a detective, he had that covered. His sponsor Alfredo’s skills in the repossessionary arts outclass Holmes’s by a mile. He acknowledges Moriarty as more than a match for himself. Even housekeeper/librarian Ms. Hudson has the effortless memory to which Holmes aspires.
And in Watson, he’s found an equal — and that’s what the show’s not-so-secretly about.
"Fangirl challenge: female characters
↳ Lilah Morgan (6/12)
- Irene wasn’t fridged
- Irene wasn’t a victim
- Irene wasn’t a generic love interest
- Irene beat Sherlock
- Irene took everyone’s preconceived notions of gender in criminals and lit them on fire
- Irene was a completely unrepentant HBIC
- Irene (ノ◕ヮ◕)ノ*:・゚✧